Nico Krijno South Africa, 1981

Probing the thresholds of each, his work materialises through a stream of unique and colourful abstractions that not only act as autonomous pieces of art but when seen as a collection, Krijno’s obsession and constant intrigue into the perception of photographs becomes decidedly evident.

Often working with discarded materials found in his immediate surroundings, he interprets and re-imagines them to find alternative structures for how meaning and matter are both constructed and perceived. Photographing these ephemeral structures, as he describes himself, are a private and physical performance, with the camera being the audience. Importantly, the act of photographing these theatrical scenes is only one part of Krijno’s work. Through an array of digital tools, he then re-imagines the materials, colours and forms countless times until our understanding of each photograph is constantly being challenged, always failing to remain still.