Current
-
'The Blow'
by Anja Niemi, 2019 -
In Conversation With: Mathieu Asselin
b. 1973, France -
'She Could Have Been a Cowboy'
by Anja Niemi, 2018
-
'Restricted Images'
by Patrick Waterhouse, 2020 -
'Bridge' 2024
Thomas Kuijpers The Project In Giverny, Normandy, the grounds of Claude Monet’s former house host carefully-landscaped gardens, devised and arranged by the artist himself. A Japanese bridge straddles a pond of water lilies – a scene forever crystallised in Monet’s verdant hues and impressionist brushstrokes. For Thomas Kuijpers, the immortality of these... -
'Ponte City'
by Patrick Waterhouse & Mikhael Subotzky, 2010
-
'Auctus Animalis'
by Vincent Fournier -
'Brasilia'
by Vincent Fournier -
'Flora Incognita'
by Vincent Fournier
-
'Space Utopia'
by Vincent Fournier -
'Post Natural History'
by Vincent Fournier -
'The Man Machine'
by Vincent Fournier
-
'Darlene & Me'
by Anja Niemi, 2015 -
'The Woman Who Never Existed'
by Anja Niemi, 2016 -
'The Rider vol. 1'
by Anja Niemi, 2021
-
Other Works
by Patrick Waterhouse -
'The Road to Tepeyac'
by Alinka Echeverriá, 2010 -
'Becoming South Sudan'
by Alinka Echeverriá, 2016
-
'ICONS'
by Cortis & Sonderegger, 2019 -
In Conversation With: Anja Niemi
b. 1976, Norway -
'Bouquet'
by Scheltens & Abbenes, 2005
-
'The Workers'
by Scheltens & Abbenes, 2018 -
'Literally'
by Scheltens & Abbenes, 2022 -
'Hidden Objects'
by Scheltens & Abbenes, 2006
-
'A Naturalist Guide to Magic'
by Anja Niemi, 2024 -
In Conversation With: Koen Hauser
b. 1972, the Netherlands -
'Dirty Desks' 2024
Thomas Kuijpers Dirty Desks (2024 - ) Thomas Kuijpers' project Dirty Desks emerges from his fascination with our digital origins, marking the point where our physical presence began yielding to the demands of emerging digital realms that monopolize our attention. The genesis of this project was sparked by an image—one of the...
-
'Drape' 2012
Eva Stenram The Swedish born Eva Stenram calls herself “an artist who works with photographs”. Her source materials are photographs found in (vintage) magazines, on the Internet or from family photo albums that she digitally manipulates – leading to bizarre and arresting images. For her series, ‘Retouching History’, she wanted to explore... -
'Parts' 2012
Eva Stenram Eva Stenram’s Parts uses 1960's pin-up photographs as its source material. The pictures are digitally altered, obliterating most of the model and leaving only a leg intact. The resultant mood is macabre – the severed limb does not entice and the original photograph's erotic effect is turned on its head.... -
In Conversation With: Jean-Vincent Simonet
b. 1991, France
-
In Conversation With: Nico Krijno
b. 1981, South Africa -
In Conversation With: Eva Stenram
b. 1976, Sweden -
In Conversation With: Theis Wendt
b. 1981, Denmark Often illusionary, occasionally subversive, and invariably crafted from a broad toolbox of materials and techniques, Theis Wendt’s works reflect his preoccupation with age-old questions of the human relationship to authenticity. In conversation with George H. King, Wendt traces the origins of his artistic interests, pointing to a crucial technological shift...
-
In Conversation With: Katie Burnett
b. 1985, USA A stylist by trade, Katie Burnett has always collaborated closely with photographers across assignments in fashion. But periods of pandemic lockdown, when she was unable to work on set, were a catalyst to translate her distinctive creative vision into the making of her own images. Using only what she had... -
In Conversation With: Pacifico Silano
b. 1986, USA Working as a lens-based artist, Pacifico Silano strives to appreciate gay identity through (gay pornographic) magazines from the 1960s, 70s and 80s. He interrogates the line between desire and masochism, focusing on the rugged, hypermasculine archetype that long plagued these magazines. In conversation with George H. King, Silano opens up... -
In Conversation With: Michel Lamoller
b. 1984, Germany Last two weeks to see the acclaimed exhibition Anthropogenic Mass by Michel Lamoller, on show till Saturday June 18. An exhibition illustrating the mass of everything manmade which is now equal to that of all biomass on the planet. Each piece meticulously crafted into photographic 3-dimensional sculptures. We asked George...
